limited black vinyl edition with poster and download code included.

limited black vinyl edition with vibrator, poster and download code included.

limited pressing of 250 copies on black vinyl.

african-influenced jazz and funk (dokkerman & the turkeying fellaz, the mabon dawud republic), head-nodding hip-hop beats (abase, tom caruana), straight dancefloor friendly pieces (bete aka suhov, umoja, m.w.d, chilum trio & auto reverse) and also, laidback grooves (freakin disco & crookram)

pure electro longplayer .. like it!

2018 reissue, remastered from the original tapes and pressed on 180 gram vinyl. housed in a sleeve with carefully reproduced original artwork.

reissue of omd’s 4th album from 1983. half-speed mastered at abbey road studios, comes with download code included.

we welcome jerome hill with his stomping acid monster mole hole acid plus an insane remix from auto sound city. pressed on a one-sided, hand stamped and numbered standard weight black vinyl release. accompanied by a printed info sheet insert.

“the water we drink” is the debut album from khalil, a close confidante of posh isolation, and naturally a project close to the heart. with an iridescent shower of auto-tuned vocals and encrypted synthetic forms, khalil presents a luminous route into a future of cadences pitched to a crushing intensity.

lybes dimem is a project by visual artist and musician lukas rehm. with elaborate beat structures and the use of error, the music plays with cognitive phenomena and abstraction while maintaining an emotional refuge. lybes dimem is presented in formats ranging from spatial sound experiences to synesthetic shows complementing the auditive layers with visualizations of realtime data, computer graphics and moving image. lukas rehms installative art, and compositions have been internationally presented and awarded with multiple emerging arts prices. syncleft chronem is the first album released by lybes dimem in both digital and vinyl for-mat and accompanied by a moving image artwork. the title reflects the projects interest in the potential of difference, cognitive frictions and exertion: sync variability in the processing of auditive and visual signals, syncleft the synaptic cleft, which is a crucial empty spa- ce in biological neural networks, chronem the chroneme as a theoretical unit to measure the time of an articulated sound. mathematically clean sounds juxtapose patterns and transitions familiar from the realm of organic acoustics. multi-layered noise textures ex- plore the simulated space. a tem- porary continuity is provided by percussive and melodic elements, right until the next escalation, eventually awaiting a concluding resolution. the visual language explores different phenomena and techniques of cognition inspired by the rhetorics of big science (computer graphics, discontinuity of material, pop cultural references).

the copenhagen based label trtlnck delivers fast paced and functional techno on their fourth v/a vinyl installment. riesenfeld opens the record with ‘auto self’ and ‘white weather’, two groove heavy tracks, while resonant pole takes over the flip-side with ‘eroticism moves’, a more trancelike take on contemporary techno, followed up by modah closing the record with ‘lasue’, a suitable tool for almost any selection. all four tracks are heavily dance floor orientated and bring the sound of the copenhagen club scene on to vinyl.

alex handley (auto sound city) and nigel rogers (perseus traxx) catch up on a regular basis to casually jam out on various machines in a kippax basement, then edit, twist and re-jam them in a york flat. housed in a white paper sleeve, this is a fantastic example of beautifully handcrafted yorkshire electronics, with a distinctively raw and rustic feel. the label, screen printed on a kitchen table, is a reflection of the punk ethic of the duo just doing as they please to please themselves. 100% handcrafted yorkshire honesty. limited to 200 copies!

mysterious duo new frames blends the experimental side of early 90 s idm & techno with modern day production. heavy banging beats paired with intricate melodies and great arrangements. top notch music right here, don t sleep...

kscope are extremely proud to be the home of the new studio album from tangerine dream, entitled quantum gate, released to coincide with and celebrate the 50th anniversary of the foundation of the band.
tangerine dream have been a fundamental influence on electronic and progressive music since their formation in west berlin, 1967. inspiring genres, musicians and other art forms, from the future sound of london to porcupine tree, the widely popular tv show stranger things (for which their music also featured in) to seminal video game grand theft auto v (for which they helped to write the soundtrack). the group, led by edgar froese, have received seven grammy nominations, written over 100 studio albums and developed instantly recognisable synth-based instrumental music based on a meditative musical experience, that came to prominence in the 70s and 80s.
the new album, quantum gate features an updated, contemporary development of their trademark sound: sequencer-driven electronica covering a wide range of moods and atmospheres from ambient soundscapes to energetic, upbeat moments.

banoffee pies records return to their black label imprint with new label signees on part 2 of their second release with bpbl02.2. a three track journey through auto tune outer space with jay anderson on the a1, a minimal exploration from s ii p on the a2, through to an 11 minute tripped out rain forest track from peshka of ukraine with expertly sampled voices from the rivers of hanoi in bp style. music for pondering and thought. moody feelings direct from banoffee pies hq. farewell my princess. x

get ready for some true wonkiness, courtesy of neil landstrumm.
this is techno purely for those rock-solid psyches who lack that element of the deranged, the off­-kilter and the strange - on the dancefloor and in their own mental constitution. if you’re even slightly in doubt of your sanity, stay well clear of this cut.
the fact that he’s been using elektron instruments probably means it’s even more important to have that straightjacket at the ready. even that won’t stop you from dancing, though. neil has been making wonky techno since antiquity, hell, he’s the progenitor of the genre, but what you probably didn’t know is that he’s also been doing graphics for rockstar games, the software house that brought you grand theft auto.
he’s been a skilled elektron user from the very beginning, from the high and far­ times of the sidstation.

third full length album by circa tapes (solo project of adam killing of kill memory crash). following excellent previous releases on romance moderne and dka, this third album displays the evolution of killing s spot on ability to masterfully blend dark early 80s synth, industrial and cold wave into a completely new entity. much heavier and wonderfully darker, this lp will appeal to fans of classics like skinny puppy, as well as cutting edge ebm contemporaries such as broken english club, boy harsher and other cold wave / industrial hybrids.

nice price deal !!! tierschuetzer waeren bestuerzt aber mit herbert, a different jimi aka egoexpress, modeselektor, jence (digitalism), chris de luca vs. phono und und und, bekommt auch green peace auf den floor

auf -ennanga vision- begleiten wir den londoner produzenten jesse hacke (owiny sigoma band, elmore judd, gorillaz) auf einer klangreise, die uns von der englischen kapitale nach uganda führt, und damit von der hauptstadt des pop mitten ins herz von afrika. co-steuermann und erster kollaborateur von hacke ist der ugandische sänger und multiinstrumentalist albert ssempeke. bei ihrer eigenwilligen, um nicht zu sagen abenteuerlichen unternehmung erhalten die beiden beistand durch eine reihe von gastsängern aus dem norden ugandas, die unter der dortigen bevölkerung einen legendären ruf genießen. damit setzt sich die formation aus einer runde von experten zusammen, welche die dj-ikone gilles -acid jazz- peterson zu den worten -one of the finest musicians, thinkers and world selectors in the uk- hinriss. sie sorgen für einen hypnotischen sound, der traditionelle ugandische folk-musik mit aktuellem pop der westlichen hemisphäre zu einem organischen ganzen verschmilzt. dabei findet die einsaitige, für afrika so typische geige genauso ihren platz wie eine 200 jahre alte mundharmonika. für das infektiöse klangbild bestimmend sind jedoch in erster linie elektronische instrumente aller art sowie parallel gespielte xylophone.

ever reliable canadian producer fred everything makes his first appearance of 2017 with a selection of choice remixes of house classics for the lazy days label. on the a-side he s taking to crazy p s -like a fool- a vocal and dub version and laying down a slick, bubbling groover that fits perfectly with the original s warm, disco-infused elements. on the flip, he takes on roach motel s -the night- and makes it into a shimmering nocturnal cut peppered with impeccable synth lines and a sleazy vocal turn. by way of variety the final track sees fred create a laid back balearic, auto-tuned version of franky selector s -wind swept dune-.

early pioneers of the german new wave music scene, din a testbild were formed in 1978 by mark eins and gudrun gut (former member of einstürzende neubauten, mania d. and malaria!). din a testbild played a significant role in defining the avant-garde music of berlin. legendary is their partecipation at the festival genialer dilletanten- in 1981. programm 3 is their third album. mixed and auto-produced by mark eins with help of ziggy schöning, it was released on klaus schulzes record label innovative communication in 1983.

early pioneers of the german new wave music scene, din a testbild were formed in 1978 by mark eins and gudrun gut (former member of einstürzende neubauten, mania d. and malaria!). din a testbild played a significant role in defining the avant-garde music of berlin. legendary is their partecipation at the festival genialer dilletanten- in 1981. programm 4 is their fourth album. mixed and auto-produced by mark eins near the wall in west/berlin in 1983, the album was rejected at the time by innovative communication, considered too much synth/punk/techno, while the new label managers were looking more into new age stuff. in fact schulze eventually sold the label in 1983, which started to release a plethora of acts loosely grouped around the nam genre.

college - old tapes celebrates ten years of composition from 2006 and 2016. most of these tracks are unreleased demo versions. to illustrate the music video of the track -auto pilot-, college team up with the director dan bell. this collaboration, born out of the same generational anchoring, reflects the strange dream of a paradise of the consumption which collapses silently.

blawan is kilner on new double ep for avian.
jamie roberts is no stranger to the more experimental tenets of the techno genre, and much of the british artist’s output of late has hinted at more leftfield leanings. a recent return to will bankhead’s trilogy tapes imprint saw a brace of meditative, post-detroit workouts - employing the same heady, hardware aesthetic as much of his work on ternesc - though at a drastically reduced tempo. it’s this same willingness to break down perceptions regarding his own music that marks walk type – roberts’ debut on the avian label, as a notable chapter in the artist’s discography.

third instalment of uvb s label body theory. techno for those who don t believe.

betonkust and palmbomen ii are back with their second collaborative effort. this time on the dutch pinkman label. six brand new tracks that seem a lot darker than their previous work. somewhere between belgian new beat from 1988 and the west coast sound of holland. a lo-fi nightmare that turns out to be reality. pounding drums, paranoid acid patterns and angsty out of control synth choirs.

my cube is cube’s first vinyl lp and it is a multifaceted, kaleidoscopic listen, containing a multitude of moods and atmospheres. it sounds like the west coast’s answer to container, and will appeal to fans of aussie synth-punks total control just as much as it will to fans of regis, silent servant, and their seminal downwards record label.

from a basement studio in hackney, east london comes payfone s 2nd release on golf channel - quarantine b/w padre, pray for us. following on from 2014 s extremely well received paradise heater, payfone continue down a similar path for the a side quarantine. featuring once again 24 year old vocal powerhouse louis howard jones, quarantine is a semi auto biographical take on the hardships of a an underprivileged youth, set against a tough phil passera production that sounds more new york city 1984 than new port county 2004 (jones was born and raised in cardiff). cruising at 120 bpm, the dark funk guitar intro gives way to some heavy slap bass and deep synth that touches michael jackson s thriller before the direct and brutal vocals of jones hit you right between the eyes. padre, pray for us is a bizarre afro-cuban inspired homage to passera s italian father sergio ( who s telephone call can be heard on the songs intro). featuring the lethal trumpet of former cuban military private eikel venegas hernandez, this instrumental takes you to the pinata party via downtown lagos. golf channel every time !

nyc s bookworms makes his return to l.i.e.s. with four tracks of hypnotic headnodding techno. big tip! ever evolving in his sound, bookworms is fearless in his production whether behind the beat, in front of the beat, or subtly changing tempos through his tracks, there is a bizarre swing to it all keeping it moving. jump into the haze zone of the worm and hear for yourself, perfect for those backroom moments...got it?

jetzt auch auf farbigem doppel-vinyl plus downloadcode: rockstar games und mass appeal records präsentieren eine genre übergreifende sammlung an neuer musik, kreiert von den produzenten the alchemist (dilated peoples, action bronson, lil wayne) und oh no (stones throw, talib kweli, de la soul) in zusammenarbeit mit woody jackson und tangerine dream. die gästeliste illustriert das breite spektrum der einflüsse und stilrichtungen. mit dabei sind earl sweatshirt (odd future), little dragon, killer mike (run the jewels), phantogram, samuel t.herring (future islands), freddie gibbs, tunde adebimpe (tv on the radio), u.v.a. die musik ist inspiriert vom soundtrack zu grand theft auto v und wird anfang april zunächst exklusiv in der pc version des spiels debütieren.

the fat white family need no introduction and ez-ra & lamik are one half of decius… decius is a collaboration between acid house superstars paranoid london, ez-ra & lamik and lias saoudi the vocalist from the fat white family. their first release 3 months ago *come to me villa / gay futures* was described by ivan smagghe as *the best record of 2014* and is currently still at number 4 in the clone top 10. keeping it in the family, ez-ra & lamik have reworked two of their favourite fat white family tracks, it just seemed rude not to.

der 12-track starke longplayer wurde von grammy-gewinner und ikone kanye west exekutiv produziert. »er wollte die kultur durch meine stimme und meine musik fördern«, so theophilus. »er wollte mir dabei helfen, ein besserer musiker zu werden und stand mir während des gesamten entstehungsprozesses von ›vibes!‹ zur seite. nachdem er meinen song ›neu law‹ auf seiner anlage im auto durch paris fahrend hörte, entschied er sich dazu exekutiver produzent des albums zu werden.«

having established themselves as two of frances most exciting prospects, jules & moss continue to turn heads and demand attention with refreshing releases that display their admirable eclecticism. with a flourishing discographyspanning the likes of dirtybird, souvenir music, upon you or inmotion music., the duos warm and charming productions speak for themselves, with their next release on kittball acting as a further excitable milestone to their prosperous careers.

since the release of his previous album paradise for all, the profile of guts has grown a lot to become one of the main french producer and a recognized name on the european scene. his hit brand new revolution was played by many radios worldwide and even synchronized in grand theft auto v. his compilation series beach diggin is now a reference for summer and quality music.

the first full length original project from the insane black man since his 2005 massive hits. the sounds on this project are not for the weak or the normal minds just the sick & sonically perverted. a demented sonic painting of rhythmic cubism & synth impressionism. performed live in chicago.

part 2 of design a waves continued experiments in sound, sci fi and alien counter balance... limited edition ep with sideways thinking cosmo knex artwork.

as one half of seminal hip hop duo organized konfusion, prince po helped elevate lyricism and shape the art form for years to come. after joining forces with danger mouse for his classic solo debut, po is now back with animal serum, entirely produced by west coast beatsmith oh no. oh no has made a name for himself in recent years with a series of acclaimed solo albums, group work as one half of gangrene (alongside alchemist), plus production work on everything from the latest mos def album to grand theft auto v. with two innovative artists joining forces for the first time, animal serum is a dark, psychedelic experience that even includes a long-awaited reunion organized konfusion reunion on the pharoahe monch-assisted smash

an brand new collaboration with sinden - get at, the soon to be a classic 23 that has just been used on flying lotus in-game radio station on grand theft auto v and dj set favourite rejected.

limitierte 12inch mit zwei tracks aus dem neuen jackson and his computerband-album glow mit den originalen plus zwei neuen remixes von jackson himself sowie dem mann der stunde an der schnittstelle zwischen hip hop und electro, hudson mohawke (tnght).

chicagos beau wanzer known for his work with mutant beat dance and streetwalker makes his debut on l.i.e.s. with his first solo ep.. absolute killer!

ltd yellow vinyl 2013 repress !!!
the title track tin of worms showcases crisp, tight linear drum programming a ribcage shaking sub base & supernatural sounding synth sounds which build & drop in a question & answer format over its 8 minute cycle displaying the original principles of minimal techno alongside forward thinking sound design.
for the flip side we proudly introduce westway which is original baby ford material written on the eve of the millennium, recorded on fordÆs now defunkt hardware set up and mastered from dat. this track conjours images of smoky late night jazz clubs with its smooth intermittent piano chords & strings that seem to float in an out of the mix like the warm breeze on a long summers evening set starter, nightclub techno lesson, afterparty showpiece the choice is yours!

nice price deal !!! clouds return to ramp after a long hiatus in the studio to deliver their upcoming usb islands mini-album. from the orchestral opener cannibal generals, to the tapped auto-tuned euphoria of i ll be broke, to the loose and rattling dubstep of you go to my head, finlands clouds are very much back on form.

foam fangs could be a term used to describe silks preferred take on that too-easily dismissed 70s dancefloor dementia of disco – the soft bite, love nibble, mirrorball on steady/ready perma-revolve. jesse reiner (jonas reinhardts first mister, alongside past/part-time collaborators like phil manley of trans am and damon palermo of mi ami/magic touch), who never quite had the kranky krinkle of his ohm-ambient labelmates, travels head-on, tomorrowland-style, through long-form cosmic moroder constellations of >foam fangs<. nothing frothy about it, though there is a bit of the rubbery in reiner’s bounce-about, cool, funky kraut-disco. suddenly we are beaming back to a time when the world looked forward, envisioning a 21st century decked with silver, chrome, and neoprene. it is a sonic space both transparent and shiny, the metallic ding and cold ribbon of data, scrolling through infinite space. the opener, >foam fangs<, transports us instantly into an ever-expanding universe of sound and light at once fanning out and folding in on itself. variations on that theme continue as the jonas journey oscillates through the beat-beyond.

keine spielereien, einzig signalsounds, starke beat-patterns und bass, bass, bass mit voller wucht. die vielfältigkeit von silent witness, ein massiver groover, über i come by night, ein echter 4 to the floor slammer, bis hin zu wunderbar melodischen tracks wie gas up oder der albumversion der 12inch vorabsingle the praetorian. wie auch die vorgaengeralben ist dieses hier aus einem stück. jeder einzelne track ordnet sich dem ganzen unter und sind dennoch hits, jeder einzelne. eben killer! gemacht für die aufgepimpte anlage in deinem auto, für entspanntes, aber lautes hoeren zuhause oder über gute kopfhoerer. also, rave on! shed the killer wurde im maerz 2012 produziert – eine erstaunlich kurze zeit für eine ganze albumproduktion. es wurde dadurch noch homogener und ist eine wahre liebeserklaerung an den techno.

lunar disko records begins 2012 with a milestone 10th release from local hero automatic tasty, aka jonny dillon. the strange terrain ep is the eagerly anticipated follow up to his debut 12inch. in it for the money on ldr. the amusing keep your receipt kicks off the ep, where the idiosyncratic mr. tasty makes a cameo vocal appearance on why you should have eh kept your receipt! beannach mhor is next up,and is a fine example of how the auto tasty sound is evolving ever more. the up-tempo over the hill completes the a-side, a rumbling 101 bassline beneath catchy keys continue the automatic tasty explorations of the strange terrain. the lunar favourite tropic exchange begins the flip side with more vintage sounds crafted with dexterity to create that unparalleled automatic tasty sound. completing the ep is small hours, a rolling 808 jam with twinkling imaginative melodies that makes for a perfect ending to another timeless ep.

das legendäre debüt, wieder veröffentlicht mit fünf bonussongs auf schwerem 180 gramm vinyl.

three folky tracks burned beyond recognition by three absolute masters of the beats: damian schwartz, mweslee and charles trees. brought to you on a very limited transparent vinyl. and theres some auto-tune on there, too!

oddstream, a multi-day festival of radical communication and multimedia will take place between the 1st and 5th of june 2011 in and around the vasim, a former industrial factory in nijmegen. the festival consists among others of exhibitions, multimedia installations, debates, lectures, art performances, music and film. there will be three clubnights and some of the perfoming artists are featured on this double lp, including digital audiofiles. coloured marbled vinyl. artists: applescal, grimm limbo, coco bryce & jon lemmon, stagga, kubus, t.raumschmiere, alec empire, rude 66 & sensory overload. shipwrec records is on a roll!

great new release from the kitsune stable. and this is a sure shot. simplicity and logic are logos ephemeral aesthetics mammals. the writing is not narrative, the speech does not have a say. logo does not tell stories. logo is kitsunes latest signing and they really strike a blow with their first ep >la vie moderne< which already features two hits: >junocide< and >la vie moderne<, both in their original and auto-remixed versions.